Why should women in Europe today want to be witches and practice witchcraft? The opera 'Mid Air' sets out to answer this question.

Why should women in Europe today want to be witches and practice witchcraft? The opera 'Mid Air' sets out to answer this question.

末日丧钟再度敲响，带领观众直视人性毁灭的炼狱，感染者的威胁和幸存人类的邪恶。

丧尸末世中，一小群幸存者生活在一座小岛上，与大陆仅仅通过一条守卫森严的堤道联通。其中一个人去到了大陆，发现了黑暗的秘密和关于丧尸更可怕的事实……

PALACE FOR THE PEOPLE tells the stories of the most emblematic five buildings of socialist times - highly representative for the epoch and witnessing the historical turbulence in Eastern Europe in the second half of the XX century. The National Palace of Culture in Sofia, Moscow State University, Palace of the Parliament in Bucharest, Palace of Serbia in Belgrade, Palace of the Republic in Berlin are unique architectural creatures made with a lot of courage and a bit of lunacy to remind the people there was an ultimate power and brighter future. Each one is the tallest, the largest, has the biggest clock on Earth, or the most advanced technology of its time. They were the most grandiose enterprises in a time when collective good was the major state policy. Now that socialism is over it's time to go back and reveal their hidden secrets. The film takes a snapshot of the palaces today, as seen through the eyes of people related to them - their architects, former and current directors, ordinary people who worked in them.

PALACE FOR THE PEOPLE tells the stories of the most emblematic five buildings of socialist times - highly representative for the epoch and witnessing the historical turbulence in Eastern Europe in the second half of the XX century. The National Palace of Culture in Sofia, Moscow State University, Palace of the Parliament in Bucharest, Palace of Serbia in Belgrade, Palace of the Republic in Berlin are unique architectural creatures made with a lot of courage and a bit of lunacy to remind the people there was an ultimate power and brighter future. Each one is the tallest, the largest, has the biggest clock on Earth, or the most advanced technology of its time. They were the most grandiose enterprises in a time when collective good was the major state policy. Now that socialism is over it's time to go back and reveal their hidden secrets. The film takes a snapshot of the palaces today, as seen through the eyes of people related to them - their architects, former and current directors, ordinary people who worked in them.

周海媚是重案组高级督察，单身、能干、漂亮，二十年前母亲惨遭裸杀，年仅八岁的她从小在孤儿院长大。成年后婷婷玉立，身边虽不乏追求之人，但她一直以寻变态狂魔为重。她接受电视访问看到谢君豪妻儿三口，暗恋上谢君豪，两人开始“危险关系”。一天同样的凶案再次发生。凶手又不断用电话与周海媚联络，留下他的线索，身边的同僚逐一遇害，周海媚渐渐堕入反追捕的困境。最后被凶手捉走，醒来时发觉处身处二十年前的旧居，凶手原来竟是谢君豪。

周海媚是重案组高级督察，单身、能干、漂亮，二十年前母亲惨遭裸杀，年仅八岁的她从小在孤儿院长大。成年后婷婷玉立，身边虽不乏追求之人，但她一直以寻变态狂魔为重。她接受电视访问看到谢君豪妻儿三口，暗恋上谢君豪，两人开始“危险关系”。一天同样的凶案再次发生。凶手又不断用电话与周海媚联络，留下他的线索，身边的同僚逐一遇害，周海媚渐渐堕入反追捕的困境。最后被凶手捉走，醒来时发觉处身处二十年前的旧居，凶手原来竟是谢君豪。

任何事情都有可能出错：战争，恐怖主义，自然灾害。从城市撤离了难民营周围县市。在战争，饥荒和疾病打击的幸存者。现在，二十年后，炸弹落和瘟疫，过了少数几个仍然生活在恐惧和没有希望的。该岛的明星莎拉在后世界末日的童话故事，一个年轻女人的旅程将在15年内第一个孩子出世。莎拉拒绝放弃的灵感在她的广播一个孤独的声音。迈克尔广播模糊和遥远的希望的消息和他从死者打扫的音乐。被迫从干旱的她的地下室家和那些谁想要她的孩子不断的追求，莎拉穿越的路径与迈克尔在海绵状，不同的幸存者的地下避难所。它是由..

任何事情都有可能出错：战争，恐怖主义，自然灾害。从城市撤离了难民营周围县市。在战争，饥荒和疾病打击的幸存者。现在，二十年后，炸弹落和瘟疫，过了少数几个仍然生活在恐惧和没有希望的。该岛的明星莎拉在后世界末日的童话故事，一个年轻女人的旅程将在15年内第一个孩子出世。莎拉拒绝放弃的灵感在她的广播一个孤独的声音。迈克尔广播模糊和遥远的希望的消息和他从死者打扫的音乐。被迫从干旱的她的地下室家和那些谁想要她的孩子不断的追求，莎拉穿越的路径与迈克尔在海绵状，不同的幸存者的地下避难所。它是由..